I’m hosting Slow Art Toronto this Saturday, October 17, at 11:30am at the Art Gallery of Ontario. I selected 10 pieces for review, with 2 special works that everyone must view as they will be central to our debate.
These works by two Canadians resonated with me the most during my recent visit to the AGO. I got quite descriptive with them, but you’ll see why and how it’s worth it.
1. William Kurelek “The Rock” (1962)
For William Kurelek, art was means to express his fundamentalist Christian faith and his apocalyptic vision of human destiny. He was born in a Ukrainian settlement in Alberta to a family of hard-working farming parents. His interest in art stemmed from the early age, but was no approved by his father. Kurelek studied at the Ontario College of Art, as well as the Instituto Allende in Mexico. He was extremely thin-skinned and found forming personal relations almost impossible. That lead to a severe depression and a subsequent psychiatric hospitalization in the UK.
Kurelek identified strongly with Van Gogh. His work, however, was largely influenced by Hieronymus Bosch and Pieter Bruegel. His deeply affecting Roman Catholic visions definitely contrast the memories of his childhood in the Canadian prairies. In fact, two themes in his paintings have always been:
2. Didactic, apocalyptic vision of a materialistic society doomed to destruction to attain salvation
Hence the seemingly contrasting set of artworks at the Thomson room at the AGO.
The Rock is an interesting piece – it’s a vivid painting of…a rock that’s standing strong amid the gurgling fire and lava below it. Hideous Boschian monsters float in the red burning mess, trying to throw spears at the rock and the church that’s standing on it. Look closely and you will notice demon spears adorned with “bad things” like racial intolerance, apostasy, ghetto mentality, sodomy, political intrigue, nationalism, sloth and the like. Upper part of the piece is adorned with floating angels and the crossed keys of St Peter.
More than anything, I find the detail, vivid color and the deep exploration of the subject the most appealing aspects of the work. I also think it’s the most compelling piece in the William Kurelek room in the Art Gallery of Ontario. Feel free to study Kurelek’s other works in the room and compare. I feel Kurelek is the lesser known and underrepresented artist in the history of Canadian painting, so perhaps we could address the issue by studying his work.
2. David Altmejd “The Index” (2007)
The Index is a quite bizarre and macabre artwork, a phantasmagoric aviary of mutant birds, combining the horrific with the sublime. To me personally, it feels as a forest life gone incredibly wrong, warped, exploded, twisted and Frankenstein-ized by injections of primal and mythological symbolism. There are enough details, vivid imagery and fascinating forest creatures to keep anyone glued to (and walking in and around) the piece for at least half an hour. It’s a complex, crystal-infected, flesh-slicing and intoxicating work of art that excites and horrifies at the same time. In this work, the recognizable and the prosaic suddenly and violently materialize into the imaginary.
David Altmejd himself: “A lot of people think that I’m really fascinated by death and morbidity, but I’m much more interested in life. I just think that things look more alive when they’re growing on top of what’s dead,” he says, bending his fingers to mimic blades of growing grass. He’s had a lasting interest in Kiki Smith and Louise Bourgeois. His work, I find, hovers between object and installation; he constructs large stages and elevated platforms and presents his myriad of organic and fetishistic forms in a seeming display of luxury.
He arranges many smaller parts and delicate details in a logic of a film, so that the viewer feels he/she unravels the mystery themselves. What kind of mystery? What is this sense of dread that creeps along our spines as we walk by endless reflections in opposing mirrors, shocked by wolves pierced by shards? What is this ecstatic celebration of the instant in which everything is between two states. Let’s discuss all that this Saturday at the Art Gallery of Ontario!
It was quite the talked about piece during the Venice Biennale in 2007. A Montreal native and a Columbia University M.F.A., Altmejd lives and works in New York. Here is a slideshow of some of his work, I highly recommend you see it.












Excuse my non-presence in the blogosphere this past week – I’ve been on the reading, instead of the wring, side. Here are three products I discovered this past week that have been making me absolutely cuckoo with happiness.
Eggling products











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